AUDIO
SERVICES

Listed below are our offered services and general daily pricing. If you have any requires regarding bookings, please contact me via the provided email address in the Contact tab to submit a request, specifying which below service(s) and dates you require. Rates are negotiable.

  • Sound Design (No Score)

    Dialogue Editing, Noise Reduction, ADR, FX and Foley (Online/TV/Film).

    10 hr

    250 British pounds

  • Sound Design (with Score)

    Audio Editing, ADR, FX, Foley, and Score (Online/TV/Film).

    10 hr

    300 British pounds

  • Voiceover Artist

    Providing voiceover for any project. Work examples in 'Portfolio'.

    3 hr

    £150 per session

  • Location Recordist

    Providing audio recording on location for your project.

    12 hr

    300 British pounds

  • Boom Operator

    Boom Operator for any commercial or corporate film project.

    12 hr

    200 British pounds

  • Sound Assistant

    Radio micing, charging batteries, rid/de-rig, assisting Recordist.

    12 hr

    250 British pounds

location audio KIT:
WHAT TO EXPECT

  • 4 years experience in commercial and corporate location audio,
  • Sound Devices MixPre10 II, and a backup Zoom F4 Field Recorder,
  • 5 Wireless Radio Mics (2 Sennheiser G4 Transmitters/Receivers, 2 Deity Connect Transmitters, 1 Sony UWP Transmitter/Receiver), mic concealers and body straps.
  • Sennheiser MKH 50 Shotgun (Indoors), RODE NTG5 Shotgun (Outdoors) Microphones,
  • Wildkat, Blimp, 5m (16ft) Audient and 3.5m (12ft) Carbon Fibre Boom Poles.
  • A range of dynamic and condenser microphones with varying polar patterns,
  • Ambient room micing,
  • Long reaching microphone stands (perfect for interview setups) and short stands.
  • Timecode sync for two camera units.
  • 4 wireless units for in-ear monitoring of captured audio.

STUDIO KIT:
WHAT TO EXPECT

  • 4 years experience in commercial and corporate post production audio,
  • SSL SiX Analogue Mixer for recording,
  • Universal Apollo 16 and Yamaha HS8s (2.1) for monitoring,
  • Dangerous 2-Bus+ Summing for colour,
  • Pro Tools 12, Ableton Live 10, Ozone 8, Izotope RX8, and a load of external waves plug-ins,
  • Bass, Keys, Guitars and various acoustic instruments for scoring,
  • A range of dynamic and condenser microphones with varying polar patterns,
  • Acoustically treated studio space.